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Steve Reich - Tehillim, The Desert Music - Alarm Will Sound & Ossia, Pierson (2002) [FLAC] (CA21009)

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Music : Classical : Lossless
     STEVE
REICH
Tehillim • The Desert Music

 

Classics Today
Artistic
Quality: 10 / Sound Quality: 10
Quote:The young, New York-based Cantaloupe Music (affiliated with the founders of
Bang on a Can) is quickly building quite a discography. The catalogue traverses both premiere recordings, such as Evan
Ziporyn's stunning This is not a Clarinet – a disc that ranks as an absolute must-hear and one of the most
exciting releases of recent years – and items very familiar to contemporary music fans (Terry Riley's In C).
Although any record company venture is an inherent gamble, there's a particular risk for such a tyro label to issue
already-recorded works. Take as an example de Leeuw's Tehillim for Nonesuch, or Steve Reich's own 1982 reading for ECM,
which has been the standard-bearer for a generation. Why go at this same work yet another time?
Well, in the case
of Alan Pierson's version with the ensemble Ossia, the answer is simple. Not only does he have a new perspective to
offer, but he and his forces better Reich's recording. (It's worth noting as well that Pierson made a change to Reich's
original instrumental arrangement; it is the same as the composer's chamber version of the piece, but adds a second
string quartet.) Pierson's comfort and self-assuredness in these works are obvious. The vocals (featuring high soprano
Elizabeth Phillips and lyric sopranos Akiko Fujimoto and Carolyn Dorey) are more confident and sure-footed – an
achievement considering all the leaps Reich demands. Cantaloupe's brashly forward, bright sound also is miles above
ECM's comparative dimness. The rhythms are vigorous and yet never sound mechanical (as in de Leew's version). Perhaps
the most interesting result of all of these changes is a shift in the overall mood of the piece: whereas the ECM
recording conjures a hypnotic feeling, this is pure ebullience – entirely fitting for the Biblical texts of
praise used in Tehillim (“Psalms”).
The Desert Music also is transformed. As with Tehillim, this piece
exists in two versions, one for a chamber-sized ensemble, the other for symphonic forces. Unlike Tehillim, which is best
known in its smaller arrangement (but can be heard in its orchestral form in a flat and disappointing performance with
Zubin Mehta on the New York Philharmonic's 10-disc “American Celebrations” set), The Desert Music probably
is most familiar in its larger setting, on a recording with Michael Tilson Thomas and the Brooklyn Philharmonic
(Nonesuch). With Reich's permission, Pierson prepared his own edition of the piece that combines elements of Reich's two
versions – in short, it's Reich's chamber arrangement with seven brass players added – and Reich is happy
enough with it to declare this the new standard chamber version. Played by Alarm Will Sound and Ossia, Pierson's
arrangement is broadly textured yet retains a certain intimacy that fits well with the William Carlos Williams poetry
used here. As with Tehillim, the tautness, freshness, and enthusiasm in this recording casts a new light; here, the
piece's vibrancy and lightness is remarkable. All around, it's a superb release, one in which Cantaloupe's gamble has
paid off handsomely. ----Anastasia Tsioulcas

Tehillim (1981)
01. I. Psalm 19: 2-5 [11:13]
02. II. Psalm 34: 13-15 [5:52]
03. III. Psalm 18: 26-27 [7:47]
04. IV. Psalm 150: 4-6 [5:59]

Ossia
Conductor: Alan Pierson
High soprano: Elizabeth Phillips
Lyric sopranos: Akiko Fujimoto,
Carolyn Dorey
Alto: Kirsten Sollek-Avella
Percussion: Clay Greenberg, Payton Macdonald, Karen Minzer, Ian
Quinn, Jason Treuting, Lawson White
Flute: Jessica Johnson
Piccolo: Ann Choomack
Oboe: Michael Miller
English horn: Jeffrey L. Paul Ii
Clarinets: Elisabeth Stimpert, Andrea Levine
Organs: John Orfe, Rob
Haskins
Violins: Susanna Cortesio (Principal), Terra Peach, Caleb Burhans, David Wish
Violas: Kara Poorbaugh,
John Pickford Richards
Cellos: Stefan Freund, Luke Pomorski
Bass: Sara Lukjanovs
Assistant conductor:
Clay Greenberg

The Desert Music (1984, revised chamber version 2001)
Text by William Carlos
Williams
05. I. (Fast) [7:09]
06. II. (Moderate) [5:51]
07. III. Part I (Slow) [6:55]
08. III. Part
II (Moderate) [5:12]
09. III. Part III (Slow) [5:59]
10. IV. (Moderate) [3:03]
11. V. (Fast) [9:38]

Alarm Will Sound and Ossia
Conductor: Alan Pierson
Female voices: Martha Cluver, Akiko
Fujimoto, Heather Gardner, Pam Igelsrud, Beth Meyers, Kirsten Sollek-Avella
Male voices: Caleb Burhans, Clay
Greenberg, Will Jennings, Daniel Toven
Flutes/Piccolos: Jessica Johnson, Justin Berrie, Meg Sippey, Rachel
Roberts
Horns: Matt Marks, Kate Sheeran
Trumpets: Lisa Edelman, Leah Schumann
Trombones: James
Hirschfeld, David Beauchesne, Mike Dowden
Keyboards: Clay Greenberg, Solungga Fang-Tzu Liu, Tom Rosenkranz, Ian
Quinn,	Jen Snyder
Percussion: Dennis Desantis, Clay Greenberg, Beth Meyers, Payton Macdonald, Alex Postelnek, Mike
Tetreault, Jason Treuting, Lawson White, Pete Zlotnick
Violins: Courtney Orlando (Principal), Andrew Fouts, David
Wish, Yuki Numata, Autumn Inglin Shepherd, Michael Jorgensen
Violas: John Pickford Richards, Justin Caulley, Kara
Poorbaugh
Cellos: Susie Kelly, Stefan Freund, Norbert Lewandowski
Basses: Ike Sturm, Brent Bulmann
Assistant conductor: Ian Quinn

Executive producers: Michael Gordon, David Lang, Kenny Savelson, Julia
Wolfe
Tehillim recorded May 1999 at the studios at Linden Oaks, Rochester NY
Producers: Alan Pierson, Clay
Greenberg, Brad Lubman
Engineer: Jeff Gilhart
Assistant engineer: Luke Yaeger
The Desert Music recorded
May 2001 at the Kresge Recording Studios of the Eastman School of Music, Rochester NY
Recording engineers: Jeff
Gilhart, Jon Truebger
Additional recording May 2002 at The Eastman Computer Music Center, Rochester NY
Recording engineer: Dennis Desantis
Producer: Gavin Chuck
Editing and mixing engineers: Alan Pierson, Dennis
Desantis
Editing and mixing assistant: Ian Quinn, Courtney Orlando
Cd mastered at Sony Music Studios on June
27 and July 9, 2002 by Charles Harbut
Label manager: Ken Thomson
Retail manager: Curtis Brown
Publicity:
Aleba Gartner Associates, NYC
Art direction and design by Carla Leighton at Gloo Design
® & © 2002
Cantaloupe Music, LLC
Made in Canada
CA21009
[CD total: 74:44]

www.cantaloupemusic.com
www.alarmwillsound.com
http://ossianewmusic.org
www.stevereich.com                                                            Show Demonoid some love
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